Lee “Scratch” Perry is a genius. The legendary mind behind a boundless catalogue of incredible records released throughout reggae’s history, Scratch needs really no introduction once you’ve heard a record like Superape. His dub experiments from the 1970s sound like music from an era we still are far from reaching. Thing is, a guy that can make music simultaneously sound like it’s coming from underwater and outer space at the same time is probably a little odd.
Roots & culture reggae artists, by default, have one of the strongest “political” campaigns of musically advocating legalization of the weed. With the accuracy and frequency of a rub a dub missile, the genre has repeatedly produced a highly potent strain of talented musicians, singers and songwriters gifted with the ability to mobilize the masses locally and internationally to join in the march against the oppression of ganga. Operation Free de Herb has been led by many reggae front men. Lincoln “Sugar” Minott is one of the genres long-standing generals.